The Dead Sea project 

Under Sodom Mountain is the result of eight years spent around the Dead Sea, a landscape of extraordinary beauty shaped by both natural forces and human actions.

The project moves between two states of the same place. At times, the photographs show stillness, light, and the quiet order of the landscape. At others, they reveal ecological damage and the traces of human intervention.

I was interested in holding these two realities together without allowing one to overpower the other. The beauty makes the damage feel more fragile; the damage changes the way the beauty is seen.

The title refers to Sodom not as a biblical story, but as part of the human condition — the recurring tension between what we are given and what we choose to do with it.