Nebbia

Nebbia began with Venice in winter.

The fog was important from the beginning, and Brodsky was somewhere in the background too — not as something I wanted to illustrate, but as part of the feeling of Venice I carried with me.

As the project developed, I became more interested in how people live inside this environment. In Venice, nature is not something separate from everyday life. It shapes movement, rhythm, distance, and the way people occupy the city.

The work is about that coexistence — people adapting to nature, depending on it, and becoming part of the landscape themselves.